When an Elite Museum Prioritizes Inclusion

Equal Voice Network looked at low voter turnout rates in El Paso and decided that just registering voters wasn’t enough. The coalition developed a creative way to increase education and engagement in local issues: a game. Votería is a play off of Lotería, a traditional Mexican pastime similar to bingo, with updated images and text explaining key current issues and political figures.

In a rapidly gentrifying Mexico City neighborhood, two artists refurbished an icon and set up an altar for Santa Mari La Juaricua, a saint to protect residents from eviction. The saint raises awareness and acts as a reminder about housing issues and the icon has been taken up by the residents and has been used in processions and protests.

The Send Me SFMOMA program allows people to text a number with a request based on a variable such as a object, mood, or color and receive back an image of an appropriate work in the SFMOMA collection. Through this service, which SFMOMA has made open source for other museums to use, the museum is able to connect with the public and ‘display’ a much higher percentage of its holdings.

The Kenan Trust is philanthropic foundation that supports “social practice art,” in which the arts facilitate change like restoring homes in urban areas and revitalizing immigration services. Their funds have reached the Metropolitan Museum of Art, the Guggenheim Museum of Art, and the Laundromat Project. A recent $6million program supports 21 New York City-based arts organizations that engage with hard to reach communities. Kenan argues that its approach is not “charity” but “justice.”

Through augmented reality (AR) effects, street artists have created surprising, novel experiences in museums and in public. Using an app, viewers can see murals in motion, art floating in the air, and new ‘additions’ to a museums holdings.

In the midst of a seemingly increasingly divided political and racial landscape, some artists of color are pushing back to create art that represents their own non-White communities. Some artists have chosen to do this by recreating Norman Rockwell’s paintings, which in the earlier part of his career mainly showcased White people. “The image haunted me because of the world we live in,” the artist said, referring to today’s divisive political climate. “I wanted to imagine what it would look like today.”

Building community around storytelling preserves cultural heritage. Across Lebanon, individuals and institutions like the Lebanese Ministry of Culture and the Theatre Monnot in Beirut are working to preserve oral culture as a medium for storytelling. Initiatives, including the long-running International Storytelling Festival and Beirut’s Hakaya, bring together storytellers, known as hakawati and hakawatiye.

Public art adds value to communities that have experienced decline in recent decades. In towns like Mansfield and Marietta, Ohio, public art plays a positive role. Murals created by groups like Mansfield Murals Inc., or by other local artists, enhance public buildings and offer a way for residents to connect and express their history. In Marietta, the Marietta Community Foundation funds the city’s Public Arts Committee.

For many jobs across the country, working from home is a fairly easy adaptation to cope with social distancing measures. But for many scientists who work in laboratories with ongoing research, a work from home solution does not quite fit. Labs and universities are finding ways to adapt and prioritize which experiments to put on hold.

The Spanish-Language Community Advisory Network works with a performing arts center in Great Barrington, Massachusetts, to bring in Latino audiences by showing culturally-relevant films, reducing language barriers, and even inviting the films’ cast and crew to the screenings.