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  • Public art offers morale boost to cities of all sizes

    October 30, 2019 |

    Richland Source |

    Text |

    800-1500 Words

    Response Location: United States, Mansfield, Ohio

    Cities enhanced by public art improve the quality of life for their residents. Across the midwest—from Bucyrus, Ohio, to Chicago, Illinois—cities are investing in public art and murals as a way to revitalize their communities. With the help of grants, cities can hire artists to make their public spaces more vibrant. Spaces that display public art attract tourism and serve as gathering places for community members.

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  • Let's ponder public art and its potential impact in Mansfield

    October 29, 2019 |

    Richland Source |

    Text |

    800-1500 Words

    Response Location: United States, Mansfield, Ohio

    Public art adds value to communities that have experienced decline in recent decades. In towns like Mansfield and Marietta, Ohio, public art plays a positive role. Murals created by groups like Mansfield Murals Inc., or by other local artists, enhance public buildings and offer a way for residents to connect and express their history. In Marietta, the Marietta Community Foundation funds the city’s Public Arts Committee.

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  • Cherries and Snow: Hammana Artist House breathes life back into a small Lebanese village

    September 10, 2019 |

    Beirut Today |

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    800-1500 Words

    Response Location: Lebanon, Hammana

    Amplifying local culture, history, and food through the arts increases tourism and can revitalize areas struggling with depopulation. The Hammana Artist House, a collaboration between a philanthropist and Collectif Kahraba, a local theater non-profit in Hammana, Lebanon, has resulted in an arts program that attracts new visitors to the town. In addition to the village’s historic cherry festival, the collaboration has resulted in a new artist residency program and projects that enhance the identity and visibility of the community.

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  • Filling hospitals with art reduces patient stress, anxiety and pain

    July 23, 2019 |

    Design Week |

    Text |

    Under 800 Words

    Response Location: United Kingdom, London, England

    Environments designed with soundscapes and visual art help to reduce anxiety and pain. In London, Chelsea and Westminster Hospital has noted a marked improvement in patient experience, including decreased pain and even a reduction in the time women spent in labor, in the presence of artistic installations. Other hospitals in the UK report similar benefits.

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  • A Diverse Network of ‘Place Leaders' Activates Public Spaces in Boston

    July 17, 2019 |

    Next City |

    Text |

    800-1500 Words

    Response Location: United States, Boston, Massachusetts

    In Boston, many groups are working to public spaces, large and small, as they face upheaval and change in the face of rapid development. In one example, the Asian Community Development Corporation creates projects for new residents get involved in community, and the nearby Roxbury Cultural District sources local artists for public art projects.

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  • Forget Game of Thrones: The master of the cliffhanger is back

    June 18, 2019 |

    Middle East Eye |

    Text |

    800-1500 Words

    Response Location: Lebanon, Beirut

    Building community around storytelling preserves cultural heritage. Across Lebanon, individuals and institutions like the Lebanese Ministry of Culture and the Theatre Monnot in Beirut are working to preserve oral culture as a medium for storytelling. Initiatives, including the long-running International Storytelling Festival and Beirut’s Hakaya, bring together storytellers, known as hakawati and hakawatiye.

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  • How Rapid-Response Exhibits Are Changing the Way Museums Engage Their Communities

    May 15, 2019 |

    Next City |

    Text |

    800-1500 Words

    Response Location: United States, Memphis, Tennessee

    Creating and deploying exhibitions in response to real-time events can allow museums to play a larger role in community engagement and education. By developing so-called rapid-response exhibits, museums can respond more effectively to contemporary issues. The exhibit at the National Civil Rights Museum in Memphis, I AM A CHILD, employs this approach to the crisis of human rights surrounding US child separation policies for Immigration and Customs, while the K(NO)W JUSTICE, K(NO)W PEACE exhibit focuses on responses to police violence in Charlottesville, North Carolina.

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  • The First City to Remove and Replace a Confederate Monument

    May 09, 2019 |

    Yes! Magazine |

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    800-1500 Words

    Response Location: United States, Helena, Montana

    Earlier this year, Helena, Montana became the first city in the United States to both remove and replace a confederate monument. A group called the Equity Fountain Project will replace the old monument with a public art project, a "Sphere of Interconnectedness" that will have steel strands on a round millstone.

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  • Students convince Medford to install ‘3-D' crosswalks at elementary schools

    April 22, 2019 |

    The Boston Globe |

    Text |

    Under 800 Words

    Response Location: United States, Medford, Massachusetts

    In an effort to promote safe driving, a local artist painted a three-dimensional crosswalk near an elementary school. The idea came from school-aged children, noticing the intersection needed improvements, who brought it to City Hall officials. This initiative is part of a larger trend in using optical illusions to bolster traffic safety around the world.

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  • Manifest Destiny Yields to Indigenous Artistry in a City-Owned Seattle Art Gallery

    March 25, 2019 |

    Next City |

    Text |

    800-1500 Words

    Response Location: United States, Seattle, Washington

    Publicly-owned galleries can provide an open, inclusive space for both artists and the community. In Seattle, the Office of Arts and Culture renovated the disused third floor of the King Street Station, turning it into an accessible and public-facing gallery space. ARTS at King Street Station hosted its first exhibition, the Yəhaw̓ exhibit, which included 200 artists representing over 100 indigenous tribes.

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